casparb's reviews
941 reviews

Ooga-Booga by Seidel Frederick

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bemused by the NYT's description of this as some unholy crossbreed of larkin and ashbery, Ithink critics just up & lose their shit when they encounter sustained rhyme. If anything this is the muldoon zone. although I find Seidel's usually in worse taste, with less charm . how many times do yu have to rhyme 'debonair'  
Woodcutters by Thomas Bernhard, Sezer Duru

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Bernhard one of them big boy have-you-ever-reads, maybe I'm too cautious to Not be a hipster. I Iiked this, gradually, obviously ibsen's his big intertext but this book also works as a cheeky answer to the (invited) question - what if a man was grouchy & wrote Woolf's The Waves. it's the right length, too, the end doubles things back and justifies some of the slowness, I feel ... anyway I'll read some more 
The Blue Absolute by Aaron Shurin

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QUEER SENTENCES as brian teare says, in combo with Eric Sneathen's Don't Leave Me This Way, looks like I was unaware of a whole queer odyssean vibe, a moment, sun-drenched, aegean. This my first from Aaron Shurin & I'm well pleased, essentially a collection of mid-length prose poems, some very good and vibrant, with visible care & it's nice and easy to sit with. I'm wondering who else picks up these environments
Stoner by John Williams

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eh; a big n famous classic, lauded by the likes of julian barnes & ian mcewan, which says a lot. ... it's kind of the Campus novel model, complete with bangin yr students & so on. my my. the writing itself is competent and even good at times, but you get a sense of general authorial bitterness as a motivation which discourages me , it's presumptuous. but what do Iknow 
Against Nature by Joris-Karl Huysmans

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somebody eating chcocoltate cakes several : you don't need all that
The Monster Loves His Labyrinth by Charles Simic

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oddly my first simic book as such , largely aphorisms with longer bits flung in ... it's a dangerous form , espceically for Guys of this type , it's very hard not to sound extraordinarily pompous . Simic gets off relatively lightly , having - to all appearances - the politics of a very Centrist dad . Ican't bring myself to dislike him for it even if we're sick 
The Private Lives of the Impressionists by Sue Roe

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neat little group bio, not turgid but generous & plenty ... not especially Captivating either , until the final fifty or so pages when the weight of history & aggregated failure. heaps up & tumbles onto things .. yeah Iwas tearing up when Roe's talking about the first Durand-Ruel NY exhibition 
Don't Leave Me This Way by Eric Sneathen

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very funky little run thru of 14ers & AIDS / patient zero ... curious about what's next 4 eric
Non-Places: Introduction to an Anthropology of Supermodernity by Marc Augé

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following de Certeau, a banger ... throwing this together w/ Koolhaas, Vermeulen, Lefebvre, Benjamin